The main use of the module is to send MIDI from one TRS input to five outputs (this is the ‘common Thru’ function).
In addition there is a second MIDI input which will merge MIDI data to the 5 outputs.

More goodies:

• TRS MIDI inputs accept type A and B (no setup required)
• 5 TRS MIDI outputs + 2 rear outputs on pin header
• Swap type A to B for every output from the front panel (no fragile mechanical switches)
• Merge input (with hardware bypass if zero latency is required)
• MIDI Clock to analog sync outputs signals:
  • 1 pulse per step
  • 2 pulses per step (Korg / Teenage Engineering)
  • DIN SYNC
  • Start / Stop / Reset
• MIDI inputs and outputs can handle +/- 10V modular voltages.
• 2 HP

This is an output module that can drive headphones. Two additional mono inputs are mixed with the output.

• Left input is normalled to the right input.
• 2 additional mono inputs with dedicated level potentiometer.
• +4 dBu peak detector led (professional line level).
• Rear pin-header connector with pre-fader signal output.

• INPUT 1 feeds OUTPUT 1 through 6. If a jack is plugged into INPUT 2, INPUT 1 will supply OUTPUT 1 through 3, and INPUT 2 will supply OUTPUT 4 through 6.
• The two-color LED indicates the polarity and activity of the signal applied to INPUT 1 only. (red is positive, green is negative).

Please note that the opamp model used is TL072. Accuracy will not let you drive many oscillators in perfect unison. No problem for audio / modulation / clock signals.

This is not a fancy VU meter, it has a linear response and is designed to measure voltages to help you understand
what’s going on with your control voltages. Each LED represents 1 volt (red for positive range and blue for negative range).

• Both jacks sockets are in parallel, so select one for the input signal and the other for the output signal.
• The unique button toggles between plain mode (default) or dot mode.

Do you remember cassettes decks with “noise reduction” system? This module contains an encoder wich enhance high frequencies of low level signals. It adds highs in a subtle way…

• DRY/WET : balance between input and output
• INPUT : attenuation/gain
• 2 discrete channels